Senin, 24 September 2018

Free Download A Drifting Life, by Yoshihiro Tatsumi

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A Drifting Life, by Yoshihiro Tatsumi

A Drifting Life, by Yoshihiro Tatsumi


A Drifting Life, by Yoshihiro Tatsumi


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A Drifting Life, by Yoshihiro Tatsumi

From Publishers Weekly

Tatsumi revolutionized manga in the 1950s, inventing gekiga—seething, slice-of-life stories about emotional crises. In this elephantine memoir (in which he barely disguises himself as Å“Hiroshi Katsumi), he tells the story of his early years in the comics business, from his teenage obsession with entering postwar magazines' reader-cartoon contests and poring over Osamu Tezuka's comics to the brief late-'50s heyday of the gekiga workshop over which he presided. It's also a history of Japan in that era, filtered through Tatsumi's own experience—the sound of cicadas is a recurring symbol of portentousness—and packed with digressions on cartooning technique, the movies and prose fiction that inspired him, and his nervous flirtations with women; the passage of time is marked by illustrated factoids about each year's headlines. Tatsumi's visual technique is very much a product of an earlier generation—his characters' faces are simple, broad caricatures—but the mastery he's gained in half a century of cartooning comes through in his immaculate staging and composition. Readers curious about Japanese comics history may find the book's wealth of detail fascinating; for the most part, though, Tatsumi's vivid, graceful dramatizations of the period's shifting business and creative alliances don't quite justify the tedious, repetitive hybrid of bildungsroman and industry time line he's created. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From School Library Journal

Grade 10 Up–This is a masterfully drafted autobiographical work by the creator of Good-bye (2008) and Abandon the Old in Tokyo (2006, both Drawn & Quarterly). Referring to himself as Hiroshi, Tatsumi begins his story with the surrender of Japan after World War II, when he was 10 years of age, and details the following 15 years of his life. Deeply passionate about manga at a young age, he chronicles the time from his start as an enthusiast to his rise as an influential and celebrated author/illustrator of the format. Although this book centers primarily on Tatsumi's writing career, the history of manga, influential writers and publications of the time, and the turbulent manga publishing industry, much more is revealed. Family life and dynamics influenced by his parents' troubled marriage, his father's financial difficulties, and his friendship and rivalry with his brother are explored, first sexual interests and experiences are considered, and relationships among fellow artists are skillfully portrayed. Historical political and cultural events are introduced throughout the story, giving readers a feel for Japan's climate and social landscape during the period. Black-ink images in a combination of detailed/realistic panels mixed with cartoon-style artwork enhance the atmosphere and bring the characters to life. This is a captivating autobiography, and one that should have high appeal to those interested in the history of manga and Japanese culture, and followers of Tatsumi's works.–Lara McAllister, Halifax Public Libraries, Nova Scotia END

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Product details

Paperback: 855 pages

Publisher: Drawn & Quarterly (April 14, 2009)

Language: English

ISBN-10: 1897299745

ISBN-13: 978-1897299746

Product Dimensions:

6.6 x 2.3 x 8.7 inches

Shipping Weight: 3 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

34 customer reviews

Amazon Best Sellers Rank:

#514,341 in Books (See Top 100 in Books)

For those who follow the work of Yoshihiro Tatsumi, this book is a treat. It's a wonderful manga memoir that took almost 10 years to create. The main protagonist is no other than Yoshihiro himself, using another name of Hiroshi Katsumi.In this book, he explores the journey he took to become a manga artist. It's an inspiring tale that looks into his relationship with his family, friend, fellow manga artists and publishers. The book title is apt as we see how Katsumi "drifts" along in his life, making the numerous career moves. Most of the time, you'll feel the doubt and uncertainty as he felt within the panels.The book, at over 800 pages, is smartly inserted with historical events to portray the passing of time. It starts in 1948 and ends, a bit abruptly, in 1960 where Katsumi took part in the demonstration against the Security Treaty. Throughout the book, we also learn how manga has evolved and affected the artists.I'll recommended this book to anyone who wishes to know Yoshihiro Tatsumi a little better, or a little bit of Japanese manga history.(More pictures are available on my blog. Just visit my Amazon profile for the link.)

There have been many attempts at autobiographical graphic novels, Binky Brown and I Saw It among the earliest and Maus the best-known. I think it's fair to say that only fans of the genre and people interested in the specific issues explored were enthusiastic about these books.Yoshihiro Tatsumi has created something totally different, a memoir that speaks to everyone, in totally original form. He tells an absorbing story using a few simple words and a few simple lines. He uses panels to pace the story, to focus details, to show facial expression, to convey emotion; in ways distinct from written autobiographies, but also distinct from film-makers, painters, photographers and anyone else who ever tried to use art to convey the feeling and meaning of a life.I feel the reviewers complaining about the lack of depth are missing the point. The author's technique cannot go below the surface, he's drawing pictures. He can use those pictures to suggest depths, but not to explore them. A writer can spend thousands of words (or more) describing internal psychological states or conveying depth in other ways. Other graphic novelists, and also film-makers and painters, attempt to do the same by leaving realism behind or by including a lot of detail. Tatsumi confines himself to simple realism, but realism as perceived at the time, and stripped down to essential lines. He tells us what he saw and leaves it to us to imagine what went on below (and above, and before, and after).To take one example, a historian might want to know the name and background of the waitress in the restaurant beneath his apartment who tries to seduce him with comic results. An artist might paint a haunting evocation of youth and inexperience and lust. Tatsumi draws her as he saw her, essentials only, few facts and no reliable ones. Was she young and pretty, confident and cheerful, hardworking and promiscuous? We know he thought so at the time, nothing more, but also nothing less. He conveys the episode not in one detailed picture, but in a dozen quick sketches, with word balloons and backdrops. In this way we learn about his life in a different manner than any previous autobiographical work of art, we learn different aspects than we have ever encountered.This is not only a book for Manga fans. It's a story anyone can understand. The pain of having your ideas ignored or misunderstood. The pleasure of winning some degree of acceptance, and the frustration when others twist it for their own ends (but at the same time, the temptation of letting them do it, to gain recognition and money at the expense of artistic purity). The complex personal relationships, often searing, sometimes wondrous. The ups and downs of collaboration. The enigma of other people, those we love, those we respect and those we fear. All this with a backdrop of Japanese history and culture, a boy growing up, and an art form evolving.This is an extraordinary masterwork. It takes only a couple of hours to read and you will be drawn into it in a different manner from anything else you've ever experienced.

The concept of "A Drifting Life" couldn't be simpler: The life story of one of the early masters of manga, told (of course) as a manga. But it ends up being far more than that. Among other things, it's a panoramic action shot of postwar Japan, and a meditation (I know how pretentious this sounds, but it can't be helped) on the power of art to transform one's life. And it's gorgeously drawn, but more than that, it's drawn in ways that keep the narrative moving for hundreds of pages. It's long, and it can be a bit difficult (especially for those of us who aren't Japanese), but it's hugely rewarding. Highly recommended.

I have loved everything about this book. Deeply personal semi-autobiagraphical memoir chronicling a man's passion for manga and creating them while also revealing their history. All against the backdrop of post WW2 Japan and an often hard And dysfunctional life. Brutally honest, hopeful and heartbreaking. As real as it gets and GREAT art,and storytelling. Artists of all sorts should appreciate it, seeing him go through the same kinds of struggles and feelings and commitment is inspiring and comforting. I don't know what people are rating it low against? What standard? This book is a classic work that can sit next to any other intellectual comic. Meaty and ripped out of his heart, served on a silver georgeously illustrated platter.

Although it has just come out and I've only read it once, I have no hesitation in saying that "A Drifting Life" is a manga classic. If you have read and enjoyed "Barefoot Gen," the more mature Tezuka works, or even newer manga like "Monster" or "Pluto" by Urasawa you need to check this out.The art is simple and easy to read. The story is engaging and interesting all the way through. It really left me wanting more - I read all 800+ pages in one weekend. You get to see how classic manga was made and get insight into the industry.This is not manga for kids. This is an intriguing story for adults. I would also recommend it to those who are new to manga/graphic novels because it is an extremely easy and intuitive read. Don't be intimidated by the page count. I read manga 5-10 times quicker than prose/regular books, and at least twice as quick as regular american comics.I hope he writes a sequel because I am interested to know what his life in manga was like after this book ends.

Chunks of pages would come out from the seams as I read. Not the best quality, but the grgaphic novel was interesting. A very cool memoir. There is nudity in illustrations.

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Jumat, 21 September 2018

Free PDF Overcome Jet Lag Tr, by Charles F. Ehret

Free PDF Overcome Jet Lag Tr, by Charles F. Ehret

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Overcome Jet Lag Tr, by Charles F. Ehret

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Overcome Jet Lag Tr, by Charles F. Ehret


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Overcome Jet Lag Tr, by Charles F. Ehret

Describes the causes and symptoms of jet lag, recommends a special four-day eating pattern to prevent it, and explains how and why the method works.

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Product details

Paperback: 160 pages

Publisher: Berkley (April 1, 1983)

Language: English

ISBN-10: 0425099369

ISBN-13: 978-0425058770

ASIN: 0425058778

Package Dimensions:

7.8 x 4 x 0.4 inches

Shipping Weight: 4.8 ounces

Average Customer Review:

4.7 out of 5 stars

36 customer reviews

Amazon Best Sellers Rank:

#2,299,692 in Books (See Top 100 in Books)

Being sensitive to wake/sleep times, I encountered a disastrous 8 day business trip my first time to the other coast and barely got any sleep those 8 days. I've never experienced such sleep deprivation and needed to find an answer.Enter the Jet Lag Diet, that I just happened to see being discussed on a morning TV program while getting ready for work. It thankfully changed my life.I can't say enough about this diet and if you follow it closely (no cheating on 'Fast' days!), you should have excellent results, as I did when I headed off on a trip to Europe. I felt like I was still in the US after landing across the pond and this book made a huge believer in me. Highly recommended!

I've been recommending this book to friends for 30 years since getting my original copy aboard a PanAm flight from Osaka to LAX from a Toyota exec who told me that he couldn't keep his job without using this system. I was one of the worst jet-lag sufferers imaginable before practicing this system. I've been using it for years with good results. Note that it's not a perfect 100% solution to jet-lag. But it does reduce the problems by 50-75% depending on the individual. Worth the price.

This scientifically proven "recipe" for smooth and successful adjustment when traveling between Time Zones may not work-- completely-- for all destinations, but it surely will work for 98 percent of the rest of your prospective travel plans.I've had this little book in my hands since its first publishing and have given countless copies to others along the way. Professionals have been using it for years. From White House summits overseas to professional athletes competing abroad-- this little book has been their answer for enhancing the quality of their trips with optimum mental and physical performance.For some years this little gem was "Hard to Find," but I never gave up trying to locate a copy. Now it's reprint can once again benefit everyone to be side effects free. It worked for me so well that I still follow the diet to maintain a healthy even weight. This little book is GREAT and one of my most very favorite. Go for it.

If you have to travel across several time zones and must attend an 8 AM meeting on the day following your travel, this book is for YOU! I have used this book for years. I buy copies to give to friends or relatives who are traveling. It REALLY works! Friends have used it to travel to Europe, China, or just across the U.S. It is easy to do, just look up the number of time zones you are traveling across and go to the appropriate chapter. It tells you how to change your "body clock" so that you are on LOCAL TIME by the time you arrive at your destination. You need to change your diet and stop drinking coffee 3 days prior to traveling, but it is well worth it. I can't recommend this book highly enough. Buy it, put it into your reference collection and don't forget about it when you travel! Great gift idea for friends who travel! THIS BOOK IS NOW OUT OF PRINT, BUT USED COPIES ARE AVAILABLE FROM AMAZON. Also, there are now other books available that essentially tell you the same thing. Do a keyword search for "jet lag" in Amazon or other online bookstores and you should find something as useful.

My last trip to China from the East Coast was a disaster due to jet lag. I figured there had to be a solution. Well, I can testify that this book is definitely an answer to the problem of jet lag. I readily made the transition to the new timezone with very little issues. I was sleeping through the night after only 3 nights, something I could not achieve in 8 nights on my last visit. I had energy during the days and I was alert to do that job I went to do. I highly recommend this book for anyone who is traversing timezones.

This book provided some interesting concepts. I had always anticipated altering sleep before flights and how to plan the day following travel, but had never thought about the role of different types of food in our circadian rhythm. This book was rather short since half of the book consists of a suggest course of action to alleviate jet-lag when traveling across different time zones. Honestly, I tried a few of the measures but couldn't follow his entire plan. It did seem to help on my last overseas trip, but don't know if it was due to the measures followed from this book, or the sleep/neck support gadget that I used, along with sleep mask and ear plugs. BTW, check out a new product called the TRTL Sleepscarf. This is going on my next trip!If you find this review helpful, please let me know by using the voting buttons. Through the years, I have relied on reviews to make smart purchases and now I'm trying to "pay it forward" by helping others with my reviews. Please let me know how I'm doing with your vote. Thanks!!

I've used the approach laid out in this book for over 10 years for trips from the U.S. To Europe, the Middle East and Asia, and it makes a huge difference. If you follow the process precisely, it really works.

Works 100% of the time for us, no matter which way you travel. Read the research results behind the regimen.

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Rabu, 19 September 2018

PDF Ebook Tongariro Alpine Crossing & Tongariro Northern Circuit Detailed Topo Large Scale Trekking/Hiking/Walking Topographic Map Atlas New Zealand North Guide Hiking Maps for NZ National Parks

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Tongariro Alpine Crossing & Tongariro Northern Circuit Detailed Topo Large Scale Trekking/Hiking/Walking Topographic Map Atlas New Zealand North Guide Hiking Maps for NZ National Parks


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Tongariro Alpine Crossing & Tongariro Northern Circuit Detailed Topo Large Scale Trekking/Hiking/Walking Topographic Map Atlas New Zealand North Guide Hiking Maps for NZ National Parks

Product details

Series: Travel Guide Hiking Maps for NZ National Parks

Paperback: 38 pages

Publisher: CreateSpace Independent Publishing Platform; 1 edition (January 13, 2018)

Language: English

ISBN-10: 1983762954

ISBN-13: 978-1983762956

Product Dimensions:

8.5 x 0.1 x 11 inches

Shipping Weight: 5.3 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#2,159,959 in Books (See Top 100 in Books)

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Sabtu, 15 September 2018

Ebook Download Northern Ireland

Ebook Download Northern Ireland

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Northern Ireland

Northern Ireland


Northern Ireland


Ebook Download Northern Ireland

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Northern Ireland

Review

"This is an insightful and scholarly book, which skilfully examines recent changes in the political dynamics of Northern Ireland. The author provides a detailed analysis of the leading protagonists and the key political issues which is thoroughly researched, incisive and thought-provoking. For anyone interested in learning more about why the peace process has stuttered so badly in recent years, this book is a must read." Feargal Cochrane, Lancaster University "Jonathan Tonge's knowledge of Northern Ireland is prodigious and his research is painstaking, sharp and detached. He has an eye for the telling comment. This book displays all these qualities. Not only does it audit the status of the peace process but it offers an agenda for moving politics forward. This is a must read for politicians and policy-makers as well as students." Paul Arthur, University of User

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From the Back Cover

For almost three decades the troubles in Northern Ireland raged, claiming over 3,600 lives, with civilians accounting for almost half the fatalities. In this book, Jonathan Tonge examines the reasons for that conflict; the motivations of the groups involved and explores the prospects for a post-conflict Northern Ireland. The book: assesses the motivations and campaigns of the IRA, UVF and UDA and other armed groups discusses what each paramilitary group achieved through violence analyses the continuing controversies surrounding the Northern Irelands dirty war outlines the extent of collusion between British security forces and loyalist paramilitaries explores how governments and political parties shaped the peace process scrutinizes prospects for the political development of unionism and nationalism within a devolved power sharing framework examines whether the sectarian divide is strengthening or weakening concludes by assessing whether Northern Ireland can move permanently from violence and instability to become a normal peaceful polity, in which the war is merely a historic relic Written by an acknowledged expert in the field, Northern Ireland combines incisive analysis, original research and a lucid style to provide an important assessment of what has been described as an 800 year old problem.

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Product details

Paperback: 272 pages

Publisher: Polity; 1 edition (March 24, 2006)

Language: English

ISBN-10: 9780745631417

ISBN-13: 978-0745631417

ASIN: 074563141X

Product Dimensions:

5.5 x 0.6 x 8.5 inches

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#1,148,613 in Books (See Top 100 in Books)

The book is an excellent source for a reader interested in an unbiased account of the problems in Northern Ireland over the past 40 + years. The motivations for each side (probably more than two) are discussed at length. The author's speculation regarding the future of Ireland is most interesting.My issues are two: The introduction chapter is essentially a "too long" compilation of the academic efforts that have been visited upon this topic, basically a bibliography in text form. Perhaps a requirement for a book authored by an academician. Second, the book is full of abbreviations and acronyms. There is a list of all of them in the book, but on a Kindle it would be very difficult to continually reference them. And the abbreviations are important because they identify the major players in the history of Northern Ireland.Aside from those, I recommend the book highly.

A good synopsis of all the issues in Northern Ireland on both sides. Presents a relatively balanced approach, but is somewhat British Loyalist oriented.

Very concise and yet thorough.

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This is an essentail read for all who study comparative politics, history, public administration and international relations or international law. Professor Tonge provideds an easy to follow, well-written book that will spark your interest for hours. In addition to updated information, Professor Tonge provides additional references for further investigation. I would highly recommend this book to anyone who has developed a curiousity regarding the events in Northern Ireland or for poli-sci courses that deals with comparative policy/political studies or a course in international conflict.

This book is absolutely the best book written on the history of the "Troubles." It comes from a very unbiased source who attempts to explain the 300 plus years of conflict to those who have no knowledge of the troubles in the North. It is also enlightening to us who do have knowledge and insight into the conflicts of Northern Ireland. If you ever wanted to know about the "Troubles," or want to know more, this book is a must read. It should be the first book read before anyone takes on any study of the conflicts which shroud Northern Ireland.

A intense and well written work tediously explaining the situation with North Ireland. A no bias account complete with full documentation gives you a full perspective from each side and why. I would suggest someone unfamiliar with the subject in getting their feet wet on the subject first with some light research, and then jump into reading this book as it is a immense piece of information.

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File Size: 19471 KB

Print Length: 692 pages

Page Numbers Source ISBN: 0393320278

Publisher: W. W. Norton & Company (June 17, 2000)

Publication Date: May 28, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B007X02T0E

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This is a solid book to understand what happened in Japan In The years immediately after WWII.On the American administration and the Japanese government and the post-war occupation strategy, its excellent. Alos, the analysis of critical statistics of economic production and hunger are also enlighteningI found, however, too much emphasis on the cartoons and poems of that time period, and not a litany of interviews of people who lived through it.Contemporary writers sometimes reflect a national mood, but often do not.I would trusted more the recollections of scores of common people that experienced it.In fact, insightful man in the street reflections (of which there have been many) about how Japanese felt about the war years and the years immediately after (particularly knowledge of atrocities and how it effected people’s National self view) were rather weak.

After reading this book, I can understand why it won a Pulitzer Prize! However, it's not a quick breezy read. I felt like I'd just completed a graduate level course in postwar Japanese history. My father is a WWII infantry combat veteran and my Mother's first husband was an Army Air Force pilot killed in action during the war. When I was growing up, my father wouldn't have been caught dead with either a German or Japanese car in his driveway! I can remember having the book, "The Art of Japanese Management" as assigned reading, during one of my college business courses. At the time, I wondered, how in less that 30 years, the Japanese went from utter defeat and destruction to "required reading" by American students! Take the time to read this book and you'll learn how all that happened....and more. Oh, and as for the car in my dad's driveway....at 94, he just bough a new "Nissan" Rogue.

The fact that there is so much to cover after Japan surrendered to the US is both surprising and unsurprising. Unsurprising because many eras have been extremely well researched. Surprising, because so much changed for Japan in such a short time, and it is all quite interesting.Dower does an excellent job of explaining the thoughts of all sides (and taking to task the stupidities that some people took), and also telling us why people thought of doing these things. He starts with the utter devastation of WWII, explains the economics of the early years and the enormous want right after surrender. People took advantage of the situation, and many felt despair. Dower covers culture, the occupation's goals and thoughts, the "justice" that was imposed, and finally the boom from the Korean War.Dower always keeps a keen eye on explaining things in a way that does not ascribe some special "Japaneseness/Orientalism" that is alien to the rest of the world. This is for the better, as explaining things through "Japaneseness/Orientalism" is hardly an explanation at all. The amazing results of Japan were done through specific circumstances and people being at the correct time to act.Overall, I found the book to be what I wanted -- a great explanation of how Japan "embraced defeat" and started on the path to becoming the nation it is today. Dower clearly explains how this was done. The style is definitely academic, but I never found it dull, and Dower skewers views when they deserve to be skewered. I'd definitely recommend it to anyone interested in Japan.

Book Review: Embracing Defeat: Japan in the Wake of World War II. By John W. Dower. (New York and London: W. W. Norton & Company, Ltd, 1999. Pp 676. ISBN 0-393-04686-9) Embracing Defeat begins where the Pacific War ends. It is a detailed examination of Japan in the aftermath of the war. John W. Dower adroitly leads the reader through the arc of this history as Japan literally rises from ashes at war’s end on August 15, 1945, and then guides us through the US Occupation period and beyond. Rather than a simple chronology, Dower organized his book into sections and topics that focus on the Japanese people, their sufferings, the rationalization of their defeat, and their adjustment to a “New Japan.” Dower’s organization provides the reader insight and sensitivity to the range of difficulties faced by a country devastated by war and left with unimaginable challenges to reconstruct a livable country. Clearly, Dower mastered his subject. The depth of the Japanese plight is borne out in sections with titles like “Shattered Lives,” “Displaced Persons,” “Stigmatized Victims,” and “Mocking Defeat.” Japan, a country that was an industrial power in the 1920s, had become a “fourth-rate nation” by war’s end. (44) And while the allies’ story may be explained in the word victory, Dower digs deep in his account of the diverse opinions, emotions, actions, and motivations held by the Japanese people, brought about by the word defeat. A further example of Dower’s organization is that, although General MacArthur’s name is frequently cited, he is almost never the central figure in the narrative. The view is clearly from and about the Japanese. Perhaps the most enlightening sections of Dower’s work are the first few chapters which focus on the conflicted Japanese people. Japanese culture worshipped the Emperor as Deity, in a way comparable to the worship of Jesus Christ to the Christians. To die for the Emperor was deemed an honor to many. The abrupt end to the war and the devastating defeat was literally and figuratively a bombshell which was universally felt by the Japanese people. When Emperor Hirohito broadcast via radio that the war was over, that the war had been in vain, that Japan had been defeated, it was the first time nearly anyone in Japan had heard his voice. Dower tells us that at the time of Emperor Hirohito’s radio broadcast on August 15, approximately 9.0 million people in Japan were homeless and that “approximately 6.5 million Japanese were stranded in Asia, Siberia, and the Pacific Ocean area.” (47, 48) Although Dower tells us that repatriation was “an impressive accomplishment,” many Japanese returned to a country they hardly recognized. “Many adults who returned after years abroad found that their families had been shattered. Urban neighborhoods had been obliterated.” (57) Many never returned. Returning soldiers were often stigmatized victims, according to the author. Many who had been sent off to war with victory parties and chants of “100 million hearts beating as one,” were frequently viewed as pathetic outcasts. In some respects they had let the Emperor down. Onlookers dubbed their military uniforms as “defeat suits,” their shoes as “defeat shoes.” (170) Outcasts represented a large part of the population and included not only veterans, but the homeless, the hungry. Daily living was as hard as imaginable for the impoverished postwar survivors who received little sympathy. Dower characterizes Japanese culture as a harsh environment for outcasts. He states: “There existed no strong tradition of responsibility toward strangers, or of unrequited philanthropy, or of tolerance or even genuine sympathy…toward those who suffered misfortune.” (61) The US Occupation began in late August and the formal surrender took place aboard the USS Missouri on September 2, 1945. General MacArthur, the Supreme Commander of Allied Forces (“SCAP”) was given unprecedented authority to bring order to chaos. “SCAP’s mission was nothing less than to carry out the demilitarization and democratization of Japan.” (77) While millions of Japanese were homeless and starving, initial SCAP orders seemed insensitive. They were “not [to] assume any responsibility for the economic rehabilitation of Japan or the strengthening of the Japanese economy….The plight of Japan is the direct outcome of its own behavior.” (529) Almost from the beginning though, this order began to soften; it would change dramatically over time. Dower shows us that over the six-year and eight-month US Occupation, the world changed; thus as new conflicts emerged, the relationship between the United States and her allies changed. These unforeseen changes altered the US-Japanese relationship during the occupation well beyond what could have been imagined in 1945. Amidst the human misery that was so visible in Japan in 1945 and 1946, SCAP proceeded with what must be considered a radical agenda for a victorious occupying power—the implementation of democracy and the development of a new Japanese constitution. “The Americans had long looked askance at the Meiji charter, deeming it incompatible with the healthy development of responsible democratic government.” This made the existing charter incompatible with the primary goals of the United States, its allies, and SCAP. (346) Initially, SCAP endeavored to work through an array of influential Japanese to revise the existing charter or encourage development of a constitution that would be consistent with liberal and democratic ideals required by SCAP and the Potsdam Proclamation. Dower discusses in great detail several unsuccessful Japanese attempts toward this end. The author cites that SCAP’s authority to impose a new constitution on Japan could be rationalized by its authority under Section 6 of the Potsdam Declaration, which stated, “There must be elimination for all time the authority and influence of those who have deceived and misled the people of Japan into embarking on world conquest.” Dower intimates that this was interpreted as requiring the establishment of constitutional protections against future abuses of authority. (347) Dower also cites Sections 10 and 12 as other sections of the Potsdam Declaration that supported SCAP’s involvement in the establishment of a new constitution. After several months and seemingly frustrated, MacArthur and his top aides in Government Section [of SCAP] concluded that “the [Japanese] government was incapable of proposing revisions that would meet the Potsdam requirements.” (360) In February 1946 MacArthur ordered that Government Section draft a new constitution for Japan. This bold act, characteristically MacArthur, was an unprecedented act by an occupying power. Produced in secret in order to devise a way to give it Japanese authorship, this draft, with relatively minor changes, ultimately became the new Japanese constitution in May 1947. It was by all accounts an exceptionally liberal constitution which included reforms such as female suffrage, agrarian reform, and a highly controversial “Article 9” which denunciated war. Dower demonstrates in many ways how the relationship between the vanquished Japanese and the allies represented by SCAP began to shift over time. The most notable of several examples was caused by the emerging Cold War. Initially, SCAP sought to foster reconstruction of Japan on a lesser economic scale and Section 9 forced demilitarization. But as Dower explains, “Driven by Cold War considerations, the Americans began to jettison many of the original ideals of ‘demilitarization and democratization’ that had seemed so unexpected and inspiring to a defeated populace in 1945.” (525) Instead of breaking up big business and prosecuting prominent capitalists and bureaucrats, as Cold War fever mounted, Americans sought to reinvigorate the economy with Japan ultimately viewed as a first line “bulwark against communism.” In the vernacular of the times, this dramatic change was referred to as the “reverse course.” When the Korean War erupted on June 25, 1950, Japan and its US Occupation forces were nothing less than an asset against communist aggression. Moreover, the period leading up to the war saw the revitalization of key heavy industrial expansion in Japan which proved a boon to her economy. Dower tells us that during the Korean War period, American “special procurements” from Japan amounted to billions of US dollars in Japanese exports. These purchases continued for years after the end to the Korean War. Dower states: “This prolonged windfall enabled Japan to increase its imports greatly and virtually double its scale of production in key industries.” (542) Embracing Defeat is a most important contribution to modern Japanese history. On one hand it can be viewed as a capstone to Pacific War history for it does provide an insightful epilogue to the war. In another sense this work provides a genesis to the Japanese Miracle because it ends just as Japan, Inc. is acquiring its economic footing. Dower’s ability to aptly organize his abundant scholarship into very readable prose is also noteworthy. The book belongs on the shelf of any serious student of Japan, or for that matter, any serious student of twentieth-century history.

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File Size: 5596 KB

Print Length: 394 pages

Publisher: University of California Press; 1 edition (August 2, 1999)

Publication Date: August 2, 1999

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B003XQG6HY

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This is an astonishing book. If you can get your hands on her dissertation (it's in ProQuest) it's even better (this is an adaptation). This book discusses the New Thought movement that has become the basis of everything from positive thinking, to mind-over-matter, to power of thought, to law of attraction, and more. Most of the modern works point back to the period researched here as their source of authority, but in this book we learn that our cultural context has changed so much that current authors and readers fundamentally don't understand those foundational works. It's an astonishing revelation, and very surprising given that we're only 100 years removed, in the same culture, and have almost identical language. Highly recommended. A true masterpiece.

When I began to read "Each Mind a Kingdom", I soon realized that it was that dreaded genre--the doctoral dissertation made flesh.I expected the worst sort of academic exercise, in both senses of the word, and read on only because the book had a great cover and I am fascinated with New Thought ideas.But "Each Mind a Kingdom" is anything but a dry academic tome.It's as alive as a novel, and full of ideas and opinions. It's rather like going to a movie like "My Dinner with Andre", in which the author sets up ideas with scenarios, and then allows the ideas to subtly hover.I'm not saying that I found everything in "Each Mind a Kingdom" to be a plethora of positions with which I agreed. Indeed, in many cases, I felt that Dr. Satter over-eggs the pudding, and draws conclusions beyond her citations, and, in some cases, dismisses as "ambiguous" or "unclear" those authorities which do not fit her premise. I found the omission of Elizabeth Delvine King's work, whose "purity new thought" ideas would not fit the author's "chronology" of the rise and fall of the "purity" movement, to be puzzling, and the near-dismissal of the Unity School and Religious Science to be curious in light of the far greater mainstream impact each movement had upon the culture than many of the people whom the author covers in detail.Still, this book merits reading because it is a narrative voice making important points from fascinating subject matter. She introduced me to thinkers with whose work I was less familiar. More importantly, she tackles the gender rhetoric of early New Thought writings, particularly that by women, and examines the impact of the competing ways of looking at things on the broad culture.Dr. Satter has three to five books of material in this work, and it is in some senses a shame that she tries to do so much.Her conclusory points about Freud and modern self-help,each interesting, appear to be "toss ins" to try to "add relevance" to a work which needs no such effort.But this is a fundamentally satisfying work, even though it is not free of flaws, because it has a rich sweep of ideas and characters better suited to a wonderful set of novels than to a single tome about gender imagery in New Thought. One might wish (as I do) that Dr. Satter adopted a style a little less quick to jump to conclusions and a little more willing to consider the rhetorical and metaphoric value of gender terminology (rather than the more mechanical, if fascinating,angle she takes).But nonetheless, the work simply fascinates--it's a good read, with many troubling and promising lines of analysis.Dr. Satter's explorations all prove quite interesting, and well worth reading, although some of her conclusions are notions with which I could not disagree more. This is perhaps a mark of a good book, though--you can dissent from the author's point of view, and yet still like the work.I encourage anyone who wishes to understand the turn of the 20th Century to read this work, which offers ideas which will be both controversial, sometimes perhaps even unacceptable, but always fascinating. Well done. I wish that every dissertation read so well.

Great book. Quickly shipped. Thank you.

A goldmine of little known information about lack of women's rights

This is a great book. I have not been able to stop reading. It does indeed read like a good novel. You will find that it explains a great deal about our Victorian heritage and some of the ideas that have shaped the present. Fascinating!

The book offers some fresh insight into the early development of the New Thought movement. Unfortunately the Kindle edition is marred by poor OCR and does not appear to have been edited.

This is a fascinating study of how 19th century theories of explicit White Supremacy and the White Race's ostensible need to "evolve to the next level" to continue and expand its world domination...instead evolved unto the present into modern psychology, womens' liberation, the Social Gospel, New Age beliefs and religions, scientology, inner child/self/peace/divine movements, 12-stepism, affirmations, western meditation, and Positive Thinking Christianity.A rather odd debt the 21st century (see Oprah and President Obama's choice to give the benediction at his own inauguration) owes to overtly rejected beliefs from the 19th century, but there (and here) it is.

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Sabtu, 01 September 2018

Free Ebook Presence: The Invisible Portrait

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Presence: The Invisible Portrait

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Canadian-born Chris Buck has been a professional photographer for more than twenty years. Based in New York and Los Angeles, he shoots for such clients as GQ, New York Times Magazine, Esquire, Microsoft, and IBM. His roster of subjects comprises some of the leading actors, artists, and historical figures of our time. 2007 he was the first recipient of the Arnold Newman Portrait Prize.

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Hardcover: 112 pages

Publisher: Kehrer Verlag (September 4, 2012)

Language: English

ISBN-10: 3868283072

ISBN-13: 978-3868283075

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Chris Buck is a highly regarded photographer of celebrities as well as other diversions. But in this book Buck creates `invisible portraits' - places connected in some way with famous people but without the physical presence of the `person' being photographed in the final image. The results are not only fine photographs, but they are also perplexing problem solving images for the viewer - is there some part of the celebrity in the image (shadow, hidden face, reflection?) or is the image merely meant to conjure the celebrity?According to Chris Buck, from an interview, `I had an idea that was very theoretical. It was just the idea of phoning it in. I liked the idea of literally not being on the set and giving instructions to an assistant, or whoever, as to what to do, what to tell the subject, and then whatever we got was the picture. I liked it in theory, but I realized that the actual work itself would be wildly different based on who actually was on-set and did the execution, and also then, in most cases, it probably wouldn't be very interesting. And, just on a personal, selfish level, too, I wanted to control it. I didn't want it to be entirely random, like a scientific experiment where the visuals wouldn't have been that important. So, I switched it. Rather than having me not there I decided to have the subject not there. Initially, it was going to be a set where I just shot someone and they left. This is the room where I just shot George Clooney, or something. Then I realized it was a bit too esoteric, so I put the subject back in, which anchored it nicely. Then the decision becomes, how much of them do we see? Do we see an elbow and a top of a head? Are we seeing them peeking or something, and how much? Maybe not enough to recognize them, but enough to indicate where they are. But, I actually realized that I liked the cleanness of not seeing them at all. For one thing, they're not even going to be visible. So it doesn't matter how they look or what they're doing. They can be crouching or standing, or whatever it is. It doesn't matter, as we don't see them.'The celebrities whose portraits appear here are AMY POEHLER, ANDY SAMBERG, ANTHONY BOURDAIN, ARCHBISHOP DESMOND TUTU, AZIZ ANSARI. CHEVY CHASE, CHUCK CLOSE, CINDY SHERMAN, DAVE MATTHEWS, DAVID BYRNE, DAVID LYNCH, DEVENDRA BANHART, DUANE MICHALS, THE FIERY FURNACES, GNARLS BARKLEY, GUILLERMO DEL TORO, GÜNTER GRASS, JACK BLACK, JACK NICKLAUS, JAY LENO, JON HAMM, JONATHAN FRANZEN, JUDD APATOW, KATHY GRIFFIN, MARC NEWSON, MASAHARU MORIMOTO, MICHAEL STIPE, MONTE HELLMAN, NAS, THE NEW PORNOGRAPHERS, NICK CAVE, PATTI LuPONE, PAUL ANKA, RAINN WILSON, RINGO STARR, ROBERT DE NIRO, RUSSELL BRAND, SARAH SILVERMAN, SETH ROGEN, SNOOP DOGG, STEVE COOGAN, THE LIARS, TINA BROWN, TODD BRIDGES, TRACY MORGAN, TRACEY ULLMAN, UWE BOLL, WEIRD AL YANKOVIC, WES CRAVEN, and WILLIAM SHATNER.According to Chris Buck, `it's meant to be full on ridiculous and full on serious at the same time. I think that this ultimately comes across. I never even joke that the celebrity might not be in there. I take it very seriously. I spent five years shooting, two years looking for a publisher, and then a year and a half releasing the book. As I started Presence I was thinking, OK, this is for creative directors and art directors in advertising who are top of the top, super creative, super imaginative, thinking outside the box. I want to show them I can really do work that's outside the box. In the long run I think it's a really good thing only because I think it's funny and it's cool and it's going to have a nice life to it.' The rest of the joy of the process is ours, the viewer. Grady Harp, October 12

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Presence: The Invisible Portrait PDF

Presence: The Invisible Portrait PDF

Presence: The Invisible Portrait PDF
Presence: The Invisible Portrait PDF